Tuesday, 11 August 2009

Creative therapy


“Writing is a form of therapy; sometimes I wonder how all those, who do not write, compose, or paint can manage to escape the madness, the melancholia, the panic fear, which is inherent in a human condition.” — Graham Greene

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Sunday, 9 August 2009

Signs

We should always have a reason to wake up. What's yours?


Uploaded by SignsTheMovie.

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Sunday, 26 July 2009

a-ha live in session on the BBC

A-ha have been all over the British media recently promoting their new album Foot of the Mountain. On 25th July they were in session on Dermot O'Leary's BBC Radio 2 show, live from Maida Vale* (London), chatting and playing a mixture of old and new songs. The BBC's iPlayer only allows radio shows to be listened to again for a week, so I thought I'd record it to share with others worldwide.

Part 1, (13m 35s): Introduction and general chit-chat; songs The Sun Always Shines On TV and Riding The Crest; the public's questions.


Part 2, (11m 55s): Living in New York and Oslo; songs Foot of the Mountain and Question of Lust (a Depeche Mode cover, their choice for the Great British Songbook).



Part 3, (22m 02s): Sigur Rós; Greg's a-ha tattoos; random facts including Morten's orchid, Stoke FC support, tree climbing, stamp designing; songs Take On Me and Analogue; what they miss from Norway while away; Morten's special power boat; song Hunting High and Low.



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*A photo of the Maida Vale setup, taken by someone and the link posted by @aha_com on Twitter.

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Sunday, 26 April 2009

Amazing products made from recycled materials

Recycled materials triptych

The Tech News blog has collated thirty-three products made from recycled materials. It's great to see people's innovative and creative thinking to make new things from old materials.

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Thursday, 12 March 2009

Fire Flower

Previously, ice + piano; now fire + piano. But done a thousand-times better than my efforts!


Pierre Michel’s latest film , “Fire Flower”, is an abstract vision of sensuality with hints of alchemical mysticism. Like Pierre’s other films, this project derives its power from an intense focus on texture and color backed by a dramatic soundtrack." (motionographer)

The making of Fire Flower.

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Sunday, 8 March 2009

Visual poetry

Late last Thursday evening I went into the kitchen to fix a snack, turned the light on and immediately paused as the un-curtained front window revealed typical wet Lewis snow (or sleet) hitting the glass, sliding down and stacking at the bottom. I knew I had to record it.

Lighting it was tricky - I tried some torches and they gave an atmospheric sense but weren't really bright or wide enough to highlight the full extent of the ice crystals. I then re-arranged the kitchen anglepoise lamp just so to avoid reflections and flare, and used a black bin liner behind the camera to cover the kitchen's and my reflection in the window.

Twenty minutes later I'd recorded enough footage, my cup of tea was cold and the icy window display was fast disappearing, not to be replaced for the rest of the evening.

Knowing if I didn't keep the momentum going and do something with the footage, I'd lose interest or forget, and it would remain unused on my hard disk. The choice of music often sets the mood of a film, so I immediately went through my (fairly small) MP3 collection looking for inspiration and on not being satisfied went scouring the web, whereupon I found some excellent CC tracks. There are thousands and thousands of royalty-free tracks online but even with some websites allowing searches by genre and mood, it can take hours previewing them to find just the right ones. I don't know about you but reading descriptions of musical pieces just doesn't work for me - I have to use my ears to get a feel and then try to visualise it behind my video clips.

I used Adobe Premier Elements to edit this time instead of Windows Movie Maker, as it has more control of levels, colour grading, sound fades and sharpening. Why Movie Maker doesn't have a basic sharpening filter is strange. I'm still learning Premiere and find it a bit clumsy and slow to use. Things that are simple to achieve with Movie Maker, like a fade-in from white as on the first video below, take many more steps with Premiere and usually involve setting keyframes which can quickly become fiddly and tedious.

Speaking of tedious, I've written enough! The Flickr staff call their 90 second videos “long photos”. For these couple of films I prefer the term “visual poetry” and I hope you enjoy them.

Delicately stacked
music: Comfortable Mystery 3 by Kevin Macleod.


Moving apart yet coming together
music: Cold Night by Jimmy G.

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Wednesday, 4 March 2009

Pixels of wax

True Color Series, Girl 1, 2008

Christian Faur is an American artist who makes pictures from wax crayons. He scans a picture, reduces it to blocks of colour and then uses this as a template to pack together lots of crayons that upon viewing from a distance resemble the picture. It's like making pixels of wax - simple but clever. He even makes his own crayons by hand-casting each one in a mould.

More examples on his website.

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Thursday, 26 February 2009

The making of 3D street art

Edgar Müller is a well-known 3D street artist and at the Festival of World Cultures in Dún Laoghaire, Ireland, he transformed a huge slice of the East Pier into a dramatic ice age scene.

If you have a fast PC and connection, be sure to click on HQ (bottom right) once the video starts for the best quality HD viewing (clicking on the video will take you to the YouTube page where the HD video can be viewed on large screens).

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Saturday, 14 February 2009

The Valentine's Day seesaw

'Valentine's seesaw' compiled with photos from Tooga / Rayes / Simon Katzer via Digital Vision/Getty Images

Why I Love Valentine’s Day — o — Why I Hate Valentine’s Day


I offer nothing but a balanced viewpoint.

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Friday, 13 February 2009

Photographic art, Chinese style

Li Wei, who lives in Beijing, creates images using mirrors, carefully hidden thin wires and his own acrobatic skills, honed from years of martial arts training. The pictures feature Wei suspended in a string of impossible situations at locations across Hong Kong and China.

29 levels of freedom

Supposedly no computer trickery is used, although after watching a few of his works videos I think the wires are electronically cloned out of the final photos.

Liwie falls to the car

“I am fascinated by the unstable and dangerous sides of art and I hope my works reflect these aspects," he says. "Sometimes I am in real danger - I have to hang myself high with steel wires and people do get a little worried for me - but I am fine.”

Love at the high place 2

Check out his website which shows his many fantastical works over the years.

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Wednesday, 11 February 2009

Simmered gammon with watercress dumplings

This is a Gordon Ramsay recipe published in the Telegraph Magazine. Serves 4, or 1 for a few days if you can eat lots like me. :-)

Simmered gammon with watercress dumplings

Pleasingly green and peppery, watercress lightens the dumplings in this braised gammon dish, scented with star anise. Soak the gammon in cold water as soon as you unpack the shopping; it helps remove excess salt.

1kg (2¼lb) raw gammon
2 shallots, peeled and halved
2 large carrots, sliced diagonally
1-2 stick celery, very thinly sliced
2 star anise
about 1½ltr (3pt) fresh beef or chicken stock

For the dumplings:
60g (2oz) suet
120g (4oz) self-raising flour
leaves from 1 bunch of watercress, chopped
½ tsp of salt

Watercress oil to serve:
leaves from a second bunch of watercress, chopped
4 tbsp olive oil
pinch of salt

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Put the gammon in a pan and cover with water. Bring to the boil, then throw the water away. Add the vegetables to the pan with the star anise, and cover with the stock. Bring to the boil again, removing any foamy scum that rises to the surface. Turn down the heat — the liquid should simmer slowly, barely moving — and cook for one and half to two hours until the gammon is tender. Add a few twists of black pepper; you are unlikely to need salt.

Meanwhile make the dumplings. Mix together the suet, flour, watercress and half a teaspoon of salt. Add cold water, a tablespoon at a time, until you have a dryish dough that just holds together. With the help of extra flour, lightly shape the dumplings into walnut-sized rounds.

To make the watercress oil, pound together the watercress and olive oil with a pinch of salt until it’s a smooth green emulsion and put in a separate bowl to serve at the table.

Pour half the broth from the gammon into a separate pan, bring it to the boil and drop the dumplings in one by one. Cook them in the simmering stock until they float to the surface and small bubbles erupt on their surface.

Slice the gammon, and serve with the dumplings and vegetable, the broth spooned over the top. Zig-zag a little watercress oil over each plate.

Simmered gammon with watercress dumplings

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Tuesday, 10 February 2009

Flickr shares my birthday

According to the Flickr blog, their site was launched 5 years ago at ETech at 5:15PM Pacific time on 10th February. For some reason I thought they had started before the day I entered my third decade.

I joined Flickr to share a variety of slide scans I'd made - my first upload was this this Lewis sunset from the summer of 2002. I don't exactly remember now why I chose Flickr over any of the other free photo sharing sites on offer, except perhaps I liked the simple interface, ease of use and the quality of other's photos there. The whole "community of members" aspect wasn't even considered.

My use of the site increased greatly after I borrowed a Canon IXUS 500 from the friend I was visiting and snapped things around Birmingham, enjoying the instant results. Before then and despite owning a film SLR, photography wasn't really a hobby and I didn't look at things differently, at new angles, shapes and colours or pleasing compositions.

The first digital camera I bought (secondhand) was the Canon Pro1, in February 2006. Since then digital photography has been like a crash-course in seeing anew and I now have over 2000 items on Flickr; small change compared to many other prolific users.

While I hope Flickr goes on to see its tenth birthday, I wish they'd listen to the users more and implement basic features that should have been there from the start. There's plenty of good competing sites available now, but it's often Flickr's community of like-minded people sharing their experience and talent that stop me from making a switch.

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Fading into beautiful light

A year older today and this is how I feel...


You say you wander your own land,
But when I think about it,
I don't see how you can.

You're aching, you're breaking
And I can see the pain in your eyes;
Since everybody's changing
And I don't know why.

So little time,
Try to understand that I'm
Trying to make a move just to stay in the game
I try to stay awake and remember my name
But everybody's changing
And I don't feel the same.

You're gone from here
Soon you will disappear,
Fading into beautiful light.
'cause everybody's changing
And I don't feel right.

So little time,
Try to understand that I'm
Trying to make a move just to stay in the game
I try to stay awake and remember my name
But everybody's changing
And I don't feel the same.

So little time,
Try to understand that I'm
Trying to make a move just to stay in the game
I try to stay awake and remember my name
But everybody's changing
And I don't feel the same.

Ooo...
Everybody's changing
And I don't feel the same.

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Wednesday, 4 February 2009

A peaking trend?

With the popularity of digital cameras these days, time-lapse and stop-motion videos have become very popular. Tune into any BBC natural history programme, or one that uses landscape filler shots, and you can be guaranteed to see the whizzing-by clouds and rapidly-moving light that characterises time-lapse. Even the BBC news is at it, showing time-lapse clips of building construction, bustling streets and snow falling/melting.

I just wonder if this trend is starting to peak now as people get fed-up with seeing the technique so widely used. However, when it's done as well as this Olen Lavie video for his song Her Morning Elegance, which I've watched at least five times so far, I think there's still room for creativity to enthrall and amaze.


More information about how and who shot this video can be found on this blog entry by Olen.

I'll finish this post by a quote from Robert Wright which may sum up how many feel:
“Time lapse is to photography as the Drum Solo is to rock music: it’s thrilling in the beginning but halfway through you wish it was over...”

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WasherHelp: UK washing machines

Washer Help

In my research for buying my next washing machine, which is predictably proving more problematic thanks to living on this island, I found the WasherHelp website and forum which has been most helpful in answering some questions I had.

The site is run by Andy Trigg who has spent 30 years in the White Goods trade with plenty of experience in repairing washing machines. He writes on the About me page:
“I’m giving away free help and advice. In return I gamble that relevant adverts will be used by my readers. ... I strive to be balanced and fair at all times and I believe in being fair and honest even if it means apparently losing out in some way. The challenge of proving to any (understandable) sceptics that my advice remains unbiased, honest and sincere is motivating.”
I'm becomming convinced that a new machine will probably not last as long as my old Hotpoint did without an expensive repair after a few years; that manufacturer's energy ratings are misleading; that biological washing powder should only be used at 40°C but if a non-bio is preferred then the machine should have a maintenance wash once a month to prevent slime and bacteria build-up; that the Germans make the best machines (hey, what's new?!) but many of them are not available in the U.K.; that it could be cheaper to just pay someone else to do my washing and ironing for the next few months!

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